Girl, 13, Begged Father For Money To Treat Cancer. Video Viral After Death

Girl, 13, Begged Father For Money To Treat Cancer. Video Viral After Death

Sai Shri’s parents had been separated for eight years and she had been living with her mother

“Daddy…please do something and save me” – says a 13-year-old girl in an incredibly tragic WhatsApp video to her father, begging him for money for her cancer treatment. Young Sai Shri died on Sunday in Andhra Pradesh’s Vijayawada, but her tearful voice is being heard by thousands through the video that has been widely shared online.

Sai Shri’s parents had been separated for eight years and she had been living with her mother. In the video, she pleads with her father, Shetty Shivakumar, to sell her home – which was in her name – to raise money for her treatment. Her mother had reportedly tried to sell the house but was stopped by her father, who allegedly got help from a politician to try and throw his estranged family out.

Sai was diagnosed with cancer in August, and doctors reportedly told her mother that a bone marrow transplant was the only option.

Speaking in Telugu in the excruciating video, she shows swellings and lesions on her arms and legs and shares that she is in great pain.

“Daddy, you say that you don’t have money. At least we have this house. Please sell this house and pay for my treatment daddy. Or else, they (doctors) say that I won’t survive for long,” she weeps.

“I haven’t gone to school in months. I want to play with my friends…I want to go to school…take my exam…I want to become a doctor…”

Based on a complaint by an activist, the Andhra Pradesh State Human Rights Commission has asked the police to investigate whether Mr Shivakumar, who lives in the same city, was guilty of neglecting his daughter.

Activists allege that Mr Shivakumar refused to spend money for his daughter’s treatment even though he could afford it.

Sai’s mother Sumashri had reportedly spent Rs. 30 lakh but the treatment was not good enough for the type of cancer that she was suffering from.


girl Gang-Raped In South Delhi On way domestic After movie, 3 Arrested

Woman Gang-Raped In South Delhi On Way Home After Movie, 3 Arrested

The woman said the accused raped her in the transferring car earlier than dumping her close to Poorvi Marg within the Vasant Vihar place. (Representational photograph)
NEW DELHI: A 25-12 monthsantique lady returning domestic after looking a film become abducted and gang-raped in a moving automobile here through three guys, police stated on Thursday. All 3 accusedhave been arrested.

The lady, accompanied by using a female buddy, became returning home after looking a movie at PVR Priya in Vasant Vihar in south Delhi round three.15 a.m. on Wednesday while she turned into kidnapped.

In her police criticism, the woman said the accused raped her in the shifting automobile before dumping her near Poorvi Marg in the Vasant Vihar vicinity.

The female‘s friend made a name to the police manage room right now while the lady becamekidnapped. She later instructed police that the two of them were strolling towards Munirka while thethree men using a automobile approached them.

one of the men pulled my buddy in the vehicle and drove away,” the police officer quoted her as saying.

the auto became traced since the sufferer‘s buddy had referred to down its registration variety.

“With the assist of its registration wide variety, we traced the automobile proprietor in Geeta Colony (east Delhi). The accused were arrested inside hours after the medical exam of the girl confirmed rape,” the officer said.

The accused were later despatched in judicial custody by way of a local court.

(except for the headline, this tale has no longer been edited by using NDTV group of workers and isposted from a syndicated feed.)

Review: The Danish Girl, About a Transgender Pioneer

Review: <i>The Danish Girl</i>, About a Transgender Pioneer
  • Genre:
    Biography, Drama
  • Cast:
    Eddie Redmayne, Alicia Vikander, Matthias Schoenaerts, Ben Whishaw, Amber Heard, Sebastian Koch
  • Director:
    Tom Hooper

The Danish Girl, Tom Hooper’s new film, is a story of individual struggle that is also a portrait of a marriage. In this respect and others it resembles The King’s Speech, Hooper’s earlier historical drama, a multiple Oscar winner a few years ago. In that case, the union of George VI and Elizabeth, the Queen Mother, was the foundation on which the tale of George’s elocutionary striving was built. Here, the marriage is bohemian rather than aristocratic, but the stakes, while personal, are every bit as profound and consequential as the matters of state that drove the monarch to the microphone.

When we first encounter Gerda and Einar Wegener, played by Alicia Vikander and Eddie Redmayne, they seem perfectly matched. Both are painters, living amid the soft colors and sea air of Copenhagen in 1926. Gerda is a portraitist, while Einar’s landscapes – drawn from his childhood memories of the fjords and marshlands of Vejle, a town on the Jutland peninsula – have brought him a measure of fame. Like many couples who share a profession, they provide each other with support as well as a bit of competition. Their best friend, Ulla (Amber Heard), a dancer, marvels at their mutual devotion, which combines the easy, egalitarian warmth of friendship with the heat of sexual attraction.

But their relationship turns out to rest on a false premise. Through a process that is by turns wrenching and exciting, Einar discovers that the man the world has always taken him to be is not the person he truly is. What begins as an experiment and a bit of a game – dressing as a woman for the Copenhagen artist’s ball, wearing one of Gerda’s camisoles under his clothes – becomes an existential transformation. For a while, Einar and Gerda pretend that Lili, his female persona, is Einar’s cousin, visiting Copenhagen from the countryside. Henrik (Ben Whishaw), a self-described “romantic,” falls in love with her. But Lili is not Einar in disguise: The truth is exactly the reverse.

Written for the screen by Lucinda Coxon and based on David Ebershoff’s novel of the same title, The Danish Girl is a fictionalized biography of Lili Elbe (as Einar Wegener came to be known), one of the first people to attempt sex reassignment surgery. Lili’s encounters with prevailing medical wisdom, culminating in her meeting with a sympathetic doctor (Sebastian Koch), form a harrowing subplot. And her bravery makes this film a welcome tribute to a heroic forerunner of the current movement for transgender rights. It’s impossible not to be moved by Lili’s self-recognition and by her demand to be recognized by those who care most about her.

But it’s also hard not to wish that The Danish Girl were a better movie, a more daring and emotionally open exploration of Lili’s emergence. As it is, the film, like its heroine for most of her life, is trapped by conventional expectations and ways of being. If, that is, Lili is really the heroine at all. The film’s title phrase is uttered on screen once, by Einar’s childhood friend Hans (Matthias Schoenaerts), a Paris art dealer, in reference to Gerda. And it is Gerda’s ordeal that provides the narrative with its emotional center of gravity.

When The Danish Girl was shown at the Toronto International Film Festival this year, Kyle Buchanan, writing for Vulture, complained that it was part of a trend of “queer and trans films that are actually about straight people.” Not that the emphasis on Gerda’s experience is illegitimate. She is called upon to support the man she loves as he erases himself from her life, and Vikander registers the anguish and ambivalence, as well as the passionate loyalty, that Gerda feels as Einar gives way to Lili.

But unlike Jill Soloway’s Amazon series Transparent, which embeds gender transition in a dense and detailed weave of family relations, The Danish Girl takes place in the airless, elegant atmosphere of quality filmmaking. Every scene is wrapped around a neat nub of feeling. The dialogue is carefully balanced between modern sensibilities and the imaginary language of Fancy Old Europe, which is really just English spoken in a variety of lovely and heterogeneous accents.

Hooper’s tasteful, earnest, didactic style – magnified by Alexandre Desplat’s decorously overwrought score – does the film no favors. And the asymmetry between the central performances doesn’t help, either. Redmayne is a master of technique, adept at significant gestures, freighted glances and the kind of showiness that masquerades as subtlety. As a result, the passage from Einar to Lili is almost entirely a matter of artifice and surface. Einar’s fingers brush against the ballerina’s dresses hanging in Ulla’s studio. Redmayne alters the angle of his neck, the rhythm of his walk, the timbre of his voice and the set of his mouth. It’s all very impressive, as it was when he traced the progress of Stephen Hawking’s neurological illness in “The Theory of Everything.” But like that much-praised performance, this one does not take us where we need to go, which is inside the character’s mind and spirit.

Vikander, in contrast, acts from the inside out, with an openness and spontaneity that is especially rare in movies like this one. Whether she is painting, smoking, embracing her husband or offering her hand to the woman who replaces him, Gerda is the one figure on screen who seems to breathe the sharp air of reality. The others have been painted, with practiced skill and impeccable intentions, by numbers.

The Danish Girl is rated R (under 17 requires accompanying parent or adult guardian).
Sex, not to be confused with gender.