Aiming to make inroads into the Indian market, Chinese firm Cheetah Mobile on Tuesday announced that its live-streaming platform Live.me app has received $50 million (roughly Rs. 326 crores) in funding from China-based tech company Bytedance.
With the new alliance and funding, Live.me, that has more than 35 million global users, seeks to expand into more local languages and other content genres to reach an even broader audience in India.
“We are delighted to welcome Bytedance as a strategic partner for our fast-growing, live-streaming business. Bytedance’s investment will accelerate the growth of Live.me’s live video and short video businesses,” Sheng Fu, Cheetah Mobile’s Chief Executive Officer, said in a statement.
Following its debut in India earlier this year, Live.me is now pursuing an expansion strategy by setting up a new office in Mumbai and building strategic partnerships with local influencers with the goal of creating popular content for the users.
As part of the definitive agreement, Live.me will provide live-streaming services to Bytedance in the overseas markets.
The two products have been removed from Apple’s online store
The shuffle hit the market in 2005 with faster flash storage
Apple updated the storage capacities for the iPod touch
After years of being outsold by the iPhone, the venerable iPod has taken a big step toward eventual oblivion. Apple said Thursday it was discontinuing two of the cheapest iPod models: the nano and shuffle.
The two products have been removed from the Apple online store and will vanish from retail locations as well. Apple demoted the iPod’s placement in its retail stores a couple of years ago, moving the devices to the company’s accessory shelves. The $149 nano and $49 shuffle were last updated with new colors in 2015, but the nano hasn’t been revamped since 2012 while the shuffle hasn’t been redesigned since 2010.
“Today, we are simplifying our iPod lineup with two models of iPod touch now with double the capacity starting at just $199 and we are discontinuing the iPod shuffle and iPod nano,” Apple said in a statement.
The original iPod arrived in 2001. It wasn’t the first digital music player but it upended the music industry and put 1,000 songs in your pocket. The shuffle hit the market in 2005 as the first iPod with faster flash storage and without a screen, while the nano was introduced later in the year as a replacement for the then-popular iPod mini. Both went through several redesigns in their early years before being supplanted by iPhone.
The iPod touch, the company’s highest selling iPod and once referred to by Steve Jobs as an iPhone without the phone, remains on sale. The company updated the device’s storage capacities on Thursday, discontinuing the 16GB and 64GB models and lowering the price of the 32GB and 128GB options to $199 and $299, respectively.
Apple discontinued the iPod classic in 2014, a large iPod with a “click wheel” that looked most like the original model. Apple Chief Executive Officer Tim Cook said at the time that the classic was discontinued because the company was unable to source the necessary parts. Nonetheless, with the success of the iPhone, the lack of an App Store and services like iCloud and Apple Music, the non-touch iPods have become less useful to both Apple and consumers.
Apple, based in Cupertino, California, has sold more than 400 million iPods so far, while the iPhone surpassed a billion units sold in July 2016.
As you may or may not know, with the latest Injustice 2 update, Sub-Zero was actually added to the game. Now you can’t play as him quite yet, but he’s there. Much like Red Hood before him, even though we can’t play as Sub-Zero we can access him in the character select roster, and when you do that, he’ll show up with a random assortment of gear and shaders equipped.
YouTuber “TheHackingFreak” has put together a video browsing through a variety of gear and shader loadouts, and while there are a lot of repeats and duplicates in the video, we went through and picked out all of the standout loadouts, and the ones that we think look the coolest. You can find them all in the gallery. As you go through you’ll notice a variety of interesting shaders.
You’ll of course see your variations on ice blue and black, and some offensive pink and purple in there, but the most interesting are the green shaders. With the right equipment on, those green shaders will basically give you reptile. There’s no mistaking the resemblance, and we’re pretty sure that the color palette chosen for that particular shader was chosen for the sole purpose of making him look like Reptile. Who needs a premier skin when you can do a simple color swap? Pretty effective, if you ask us.
Those of you familiar with Mortal Kombat lore will also see another possibly-famliar face in the crowd. Some of the darker shaders and loadouts make Sub-Zero appear very much like Noob Saibot. In the Mortal Kombat canon, Sub-Zero returns as Noob Saibot as a kind of phantom after being killed by Scorpion, so it makes sense that his likeness should end up in the game as well — even if only as a shader.
Check out all of the images in the gallery and let us know what you think. Which color and gear combination is your favorite? Chime in on Facebook and Twitter and let us know!
The first trailer for BBC America’s rebooted American Top Gear has finally been released. It’s short, but we do get a glimpse at the new crew driving the Acura NSX, a Lamborghini Huracán Spyder, and a few other wild rides. The series premieres on July 30th at 8PM ET.
Top Gear America’s first season will consist of eight hour-long episodes. It stars eternal “that guy” William Fichtner (The Dark Knight, Contact, Armageddon), professional drag racer Antron Brown, and British automotive journalist Tom Ford. From the trailer, it looks just like other versions of Top Gear, meaning this show’s not going to reinvent the format of “three dudes + fast cars + antics = TV show.”
That means it will probably be a decent show — if it ain’t broke, why wrench it? — but I’d be surprised if Top Gear America surprises me, because all the different permutations of Top Gear never seem to stray from that equation.
The Top Gear that most people think about — which itself is a reboot of a show from the 1970s — is still airing new episodes in the UK on BBC. It’s currently hosted by Friends star Matt LeBlanc, car enthusiast and reviewer Chris Harris, and automotive journalist Rory Reid. They took over hosting duties from the most well-known Top Gear trio of Jeremy Clarkson, Richard Hammond, and James May.
The LeBlanc-led version of the show spent one season in transition rotating hosts from a cast of about eight, but that really, truly didn’t work out. The current hosts emerged from that wreckage and have developed a pretty good chemistry, which is a minor miracle, but the show’s format is still airtight. There’s a few serious segments about specific cars, a celebrity guest, and typically one goofier segment. BBC essentially pulled the idol-for-bag-of-sand switch from Indiana Jones here — it just happened to spill a lot more sand than the fictional archeologist.
The trio of Clarkson, Hammond, and May now have their own show on Amazon called The Grand Tour, which is headed into a second season, and follows a similar (but slightly remixed) format. They split off from the BBC show after Clarkson was fired for attacking a producer. The show leans even harder into the personalities of its hosts, which is a bold move considering Clarkson’s brutish behavior kept the hosts’ Top Gear tenure in the crosshairs for years.
Top Gear America isn’t the first attempt to bring Top Gear to the US. A&E Networks recently aired five seasons of a show called Top Gear USA on the History Channel, but that was canceled last summer. Its hosts — median Adam Ferrara, Rallycross driver Tanner Foust, and NASCAR personality Rutledge Wood — had developed a pretty good rapport by the end of the run, but it seemed to survive so long almost because of, not in spite of, its obscurity. It was as inoffensive as Top Gear gets.
The point is, we’ve seen Top Gear with all sorts of different (male) hosts, but it’s always still just Top Gear. I don’t know what Top Gear could or even should evolve into (how about more women hosting!), but it is exhausting that the BBC keeps trying to arrive at a different answer by running the same equation. Of course, looking at how well reboots and sequels do for Hollywood, the video game industry, and even modern television, I understand why the BBC keeps trying.