NASA Seeks Partnership With US Industry to Build First Element of ‘Gateway’ Orbital Outpost

NASA Seeks Partnership With US Industry to Build First Element of 'Gateway' Orbital Outpost

In line with US President Donald Trump’s “Space Policy Directive 1”, NASA has sought partnership with the US industry to develop the first element of the Gateway, which will become the orbital outpost for robotic and human exploration operations in deep space.

NASA has released a draft solicitation seeking commercial and international partners via the Board Agency Announcement (BAA) this week to US industry to acquire an element for the Gateway.

The Gateway will support exploration on and near the Moon, and beyond, including Mars, NASA said in a statement.

The draft seeks a high-power, 50-kW solar electric propulsion (SEP) spacecraft to maintain the Gateway’s position as well as move it between lunar orbits as needed.

It will also provide power to the rest of the Gateway, controls and communications, the statement said.

“We believe partnering with US industry for the power and propulsion element will stimulate advancements in commercial use of solar electric propulsion and also serve NASA exploration objectives,” said Michele Gates, Director (Power and Propulsion Element) at NASA.

Through the upcoming solicitation, industry will be asked to participate in a public/private partnership, which includes a flight demonstration of the power and propulsion spacecraft.

Following this test lasting up to one-year in space after launch, NASA will have the option to acquire the spacecraft for use as the first element of the Gateway in lunar orbit.

The power and propulsion element is also expected to enable high-rate, reliable communications between Earth and deep space, which will be important during spacewalks in deep space, human exploration of the lunar surface and more.

To meet current Gateway development planning, NASA is targeting launch of the power and propulsion element on a partner-provided commercial rocket in 2022, the statement said.

In addition to the draft BAA, NASA will host an Industry Day on July 10 prior to issuing the final BAA.

 

 

[“Source-gadgets.ndtv”]

Research Industry Leaders Eileen Campbell, Andrew Reid and Jennifer Reid Launch Reid Campbell Group and Announce First Two Holdings — Rival Technologies and Reach3 Insights

Image result for Research Industry Leaders Eileen Campbell, Andrew Reid and Jennifer Reid Launch Reid Campbell Group and Announce First Two Holdings -- Rival Technologies and Reach3 Insights

CHICAGO, June 19, 2018 (GLOBE NEWSWIRE) — Eileen Campbell (former Global CEO of Millward Brown) and siblings Jennifer and Andrew Reid (Founder of Vision Critical) have partnered to create Reid Campbell Group, a new holding company that serves as a launch pad for innovation in consumer insights. The newly formed group also announces the launch of their first two companies; insight technology innovator, Rival Technologies and full-service research agency, Reach3 Insights. Reid Campbell Group, Rival Technologies and Reach3 Insights are poised to lead the next wave of market research innovation for the world’s top brands.

Using conversational, mobile-first techniques that consumers use in their everyday lives, Reid Campbell Group companies are particularly focused on integrating the opinions of young and multicultural consumers whose voices often go unheard in traditional market research.

“Research and insights are so fundamental to business success, yet the function is often saddled with a stodgy reputation because we’ve been a bit slow to evolve,” states Founding Partner & Executive Chair of Reid Campbell Group Eileen Campbell. “We need to reflect the rapidly changing communication methods consumers use today to deliver meaningful business results. We are determined to do just that.”

Reid Campbell Group’s first two companies set the tone for the changes to come. Rival Technologies, led by the Founder of Vision Critical and VC Labs, Andrew Reid, is North America’s first company to use conversational chat to gather valuable insights from our ‘Mobile First’ generation. Over time, this technology offers a more personal and consistent way to connect with customers than traditional “ask and answer” questionnaires.

“The more we can mirror human conversations in our contact with customers, the more likely it is that they will provide deep and honest insights,” comments Founding Partner of Reid Campbell Group & CEO of Rival Technologies Andrew Reid.

Reach3 Insights is led by one of North America’s top consumer market researchers, former Ipsos and Vision Critical executive Matt Kleinschmit. Kleinschmit is known for designing and implementing strategic insight platforms for some of the world’s most formidable brands. Accelerated by Rival’s modern technology, Reach3 works on behalf of brands to capture ongoing insights using conversational and other immersive experiences, intelligent analytics and game-changing, storytelling deliverables.

“At the dawn of the millennium, marketing research moved online. In the 2000’s it evolved into online communities & interactive tools. We believe that we are now entering the 3rd wave of modern marketing research, characterized by agile, organic and immersive conversational insights captured at scale through the mediums used by the digital generation,” explains Reach3 Insights Founder & CEO Matt Kleinschmit.

Both Rival Technologies and Reach3 Insights launch with an impressive list of early adopter customers, including Warner Brothers and the NFL. Rival Technologies will continue to enhance their technology and platform to meet expanding client needs, with a full slate of additional enhancements in development. Reach3 Insights will continue to scale to meet the needs of global clients who are seeking more immersive and engaging insights solutions to drive business success.

About Reid Campbell Group
A unique holding company driven to reinvent the staid consumer insights industry, Reid Campbell Group represents the partnership of global insights icons Eileen Campbell (former Global CEO of Millward Brown) and siblings Jennifer and Andrew Reid (Founder and Former President of Vision Critical). The cornerstones of Reid Campbell Group are two companies; Rival Technologies and Reach3 Insights.

Andrew Reid serves as the CEO of Rival Technologies, rethinking research with voice, video, and chat solutions optimized for the ‘Mobile First’ generation. Reach3 Insights, led by one of North America’s top consumer market researchers and former Ipsos and Vision Critical executive, Matt Kleinschmit, is an insights-based consulting agency that leverages Rival’s proprietary technology and designs intelligent research methods to deliver insights at the scale and pace of 21st-century brands. For more information visit: www.reidcampbellgroup.com, www.rivaltech.com or www.reach3insights.com

[“Source-globenewswire”]

How to Start a Career in the Creative Industry

Want to make a career out of the stuff you make? The creative industries describe business and organization that focus on creativity: music, design, art, publishing, literature, architecture, film, visual arts, fashion, and drama, to name a few.

Within those industries are needs for high-level design, marketing, and advertising professionals.

Why are creative careers so important? They’re creating jobs in the digital sector and the economy at large. “Creatives,” as employees in the creative industry are called, are in high demand.

What’s great about the creative industry? It’s constantly changing, and you get to work with people who are just as passionate as you are.

Let’s take a closer look at how to start your career in the creative industry—and Istituto Europeo di Design (IED) where creatives succeed.

1. Get exposure and make your art

How? Network, network, network, and don’t be afraid to pick up the phone. The more contacts you have in the field you want, the more likely it is that you’ll find work.

Make a few phone calls to companies that interest you, and see what they offer.  Not quite there? Check out their websites, and prepare a few pitches for projects that you’re interested in doing.

If that’s getting you nowhere, find someplace you might want to work and volunteer, apprentice, or intern. Cast your net wide, make the connections, get out there, and do it.

Lorenzo Longo, a designer in Milan since 2006 and graduate of IED, tells about his first experience working for Pirelli tires. He said, “In that occasion Pirelli choose me to be part of their engineers’ team and I developed the design of new tire patterns for them. I worked for Pirelli tires for about one year, in the same period I opened my studio.”

De-Signum, the studio he opened, is a multitasking design enterprise that works across architecture, interior design, and product design.

2. Work hard

This shouldn’t come as a shock: you have to work hard. Positions in the creative industry are competitive, especially if you’re just out of school. The key? Experience and attitude. Get as much experience as you can, and as many key connections as you can while you’re in school. It will pay off.

Longo says, “Creativity is an attitude, it’s very difficult to learn to be creative if you are not curious and interested in everything that surrounds you. You should be as a “parfumeur,” you should learn how to develop your own smell, develop your own spirit of observation, work hard, not be boring, learn how funny it is to be working in team, have patience.”

3. Follow your passion

Do what you love. Don’t worry about what other people think. As long as you care about what you do, respect others, and work hard to make a positive impact, you can make it in the creative industry.

Anna Rogg, coordinator of the Career Services Offices at IED Italy and responsible for the official IED Alumni platform says, “My advice, for young creatives, is to try to share ideas with colleagues, your boss without being jealous, never criticize other people, but try to find always positive sides. Always attending specific courses during weekends, evenings… be up-to-date!”

4. Get the right master’s degree: IED

Ready to launch your career in the creative industry? Already have your bachelor’s degree?

Get the right master’s degree at IED in Italy. With specialized and technical training, real projects with partner companies, and a wide alumni network, IED offers students masters courses in contemporary art, design, fashion, and communication.

Long says he’s still in touch with IED. He says, “It still happens that IED calls me for special projects. I worked for the Campari Group about a year ago.”

Rogg echoes the sentiment. She says, “We help students for twelve months after their graduation. This year we are going to launch our first IED Alumni platform with special deals, partnerships and job postings dedicated to our IED Community. Last year, IED Milan found internships for 92 percent of our former students who recently graduated.”

If you’re looking for a step up in that creative field that you’ve dreamed about forever, now’s your chance. Check out IED and give your creative career the boost it deserves.

Alyssa Walker is a freelance writer, educator, and nonprofit consultant. She lives in the White Mountains of New Hampshire with her family.
[“Source-masterstudies”]

How free porn enriched the tech industry — and ruined the lives of actors

Journalist Jon Ronson describes his new podcast series, The Butterfly Effect, this way: “It’s about what constitutes a reputable person and what constitutes a disreputable person.”

More specifically, The Butterfly Effect is a four-hour, seven-part exploration of the impact of the tech industry on the porn industry. It’s about the way free porn sites, notably PornHub, have made it very hard for porn workers to make a living.

The music industry has gone through similar upheaval, but musicians get more sympathy than porn actors (and can make money doing live gigs), Ronson says.

In the podcast, Ronson interviews Fabian Thylmann, PornHub’s millionaire founder, along with a spectrum of sex industry performers and creators struggling to make ends meet. For instance, Ronson profiles Mike Quasar, a porn cameraman and director, who tells Ronson he’s powerless to stop his films from being instantly pirated online. (The volume of streaming sites and sharing methods makes it hard for porn companies, often strapped for resources, to fight piracy.) Some porn stars make niche custom videos — performing content in ways requested by specific fans, for a fee — in order to survive financially.

For two decades since Them, a best-seller on extremists, Ronson has been creating engaging, funny accounts of people on society’s margins. The Welshman turned New Yorker’s last book was So You’ve Been Publicly Shamed, about the internet pile-ons against the likes of inappropriate tweeter Justine Sacco.

In a wide-ranging conversation — lightly edited and condensed — Ronson discussed porn’s future, Alex Jones, and legitimized bullying.

Alexander Bisley

So these sites like PornHub, which are stealing porn and giving it away for free, have wildly depressed the money available for productions and the fees the performers are able to get, right?

Jon Ronson

Yes. So a lot of people are making a lot less money and are working much, much longer hours to make that money. That’s happening a lot. Whereas the people in charge of PornHub are making so much money they don’t know what to do with it.

These tech people who’ve never set foot on a porn set in their lives, these optimizers and algorithm people and AB testers, these “respectable people” — they’re the ones who seem to be causing the most trouble [in] the lives of porn performers.

I saw time and time again, people [in the porn industry] would have to move from pretty nice houses to much smaller houses. Porn performers have to go into escorting to pay the rent. More and more producers are going out of business. So in many ways it’s decimating the San Fernando Valley, but the tech people are doing very well.

The tech takeover of the world isn’t being criticized enough. It’s having these seismic changes, and people tend not to think about it because they’re giving the world what it wants, which is free porn.

Alexander Bisley

What do you think the future of porn will be, given this seismic shift?

Jon Ronson

I was just reading a comment on Slate that addressed this question. The commenter — Allen Garvin — wrote, “Dirty magazines are dying, porn shops are dying, mainstream porn video companies are dying (or else getting into extreme fetishes). People that go to porn conventions or show up at strip clubs to see specific porn actresses are getting older each year, with young men failing to replace them because they get their porn for free.”

I think all that’s true. So what will take its place? Amateur porn shot on cellphones. Some of those people will get deals with PornHub, and the like, where they’ll make some money from clicks, but it’ll be a fraction of what they would have made in the pre-streaming days.

And the people who built the industry? Some will move into customs and niche fetish stuff; most others will just vanish away into the ether.

Alexander Bisley

One of PornHub’s tech guys, exploiting performers’ work, boasted to you: “I’m not a piece of garbage, peddling smut.”

Jon Ronson

When I ask him about the people whose lives were being decimated as a result of the business practices, he went, “Ugh, okay. Their livelihood.” He talked like a tech utopian, somebody who thinks the tech world can do no wrong. A lot of tech people go out of their way to not think about the negative consequences. You shouldn’t not think about those insidious consequences.

Alexander Bisley

Tech guys like the one you quote above basically dehumanize the labor?

Jon Ronson

Yeah. In the same way we dehumanize people that we tear apart on social media. Or in the same way that despots from the past dehumanized their victims. We just don’t wanna think about it. And that’s one of the reasons my public shaming book got some backlash, because people didn’t want to be confronted with the truth of the psychological tricks they play on themselves to not feel bad about the bad things they do.

Alexander Bisley

Since Them: Adventures With Extremists, your book and documentary series about conspiracy theorists, the idea of humanizing the dehumanized has featured in your work. Alex Jones, a far-right conspiracy theorist that has interviewed Trump on his show, was one of your early subjects, both in writing and in documentary. Did you go too far in humanizing him?

Jon Ronson

I’ve thought a lot about this, and I think Alex has changed. Alex is a different person now compared to how he was when I first knew him in the late ’90s. A lot of people who work for Alex would probably say the same thing. So the way we should regard him, the way we should write about him, should change. He’s changed partly because he’s more powerful now, and he’s richer, and he’s got an ally in the White House, and some of his conspiracy theories have got darker.

A couple of years ago, when Alex suddenly made a fortune from the Super Male Vitality supplements and so on, that’s pretty much exactly the same time that his discourse got more aggressive. As much as he denies saying that Sandy Hook didn’t happen, he did promote that conspiracy theory.

Alexander Bisley

How do you feel about the future of media?

Jon Ronson

I strongly believe the future for that industry of broadcasters is to welcome idiosyncratic voices and then just give them the freedom to do just that, which is exactly what Netflix did with Bong Joon-Ho for Okja, a film I co-wrote, and what Audible did with me and The Butterfly Effect. The days of gatekeepers making you jump through hoops is kinda over.

Alexander Bisley

The Australian writer Christos Tsiolkas, author of The Slap, wrote a compelling essay about the Internet zeitgeist. “I have become increasingly wary of morality disguised as politics and of our reversion to a language redolent of sin and shaming, certainty and righteousness.”

Jon Ronson

Yeah. The way I would describe it is legitimized bullying. The destruction of people like Justine Sacco [who tweeted an inappropriate joke that launched a viral pile-on and that led to her being fired] — what of social justice? It was a cathartic alternative to social justice.

When you’re bullied in school, quite often, you’re bullied by everyone. You don’t have friends to turn to. Monica Lewinsky, in an interview I did with her, told me of her scandal: “I was hung out to dry by everyone; I didn’t belong to any group.” That’s the same as what happened to Justine Sacco — she was hung out to dry by everyone: Misogynists hated her, philanthropists hated her, social justice people hated her, Donald Trump tweeted about her. So that’s probably why I felt so animated about that story … because it reminded me of school. When you’re being bullied by everybody, it’s legitimized bullying.

In a way, it’s the reason I wanted to do The Butterfly Effect as well. Because it’s a story about every time somebody watches porn for free on PornHub, they are potentially exploiting the lives of the porn people they’re watching.

Alexander Bisley

David Simon, creator of the sex work–themed television show The Deuce, believes a big problem with porn and sex work is poor labor rights.

Jon Ronson

Definitely in terms of royalties, back-end and stuff like that, porn people would agree with David Simon. Where they might disagree is that there’s definitely a narrative out there about porn people being forced to do things they don’t want to do on set by exploitative directing. Maybe their boyfriends were coercing them in some cases. But I can say that the side of the San Fernando Valley industry that we were in for a year on and off [making The Butterfly Effect], I saw nothing like that. That may happen in Miami and Las Vegas.

But the [Valley] directors and the producers and the other porn actors — it’s basically a kindhearted and respectful community, certainly more than outsiders might think. It has its problems, but it’s way more collegiate than outsiders would think it.

Alexander Bisley

What might surprise listeners about The Butterfly Effect?

Jon Ronson

Probably the most surprising thing about the series is how moving and endearing it gets. How supportive the performers are to each other. And in the world of custom, in the world of bespoke porn, how there’s this really lovely bond between the cast and producers and their client, their fans. A bunch of people have said they’ve never thought that a series about the tech takeover of the porn industry would make them cry, but the end of the series will make you cry.

Alexander Bisley

And challenge them?

Jon Ronson

There’s this amazing line in episode five of The Butterfly Effect where I’m talking to this girl who was a big porn watcher, and I said to her: “Did you ever learn their names?” And she said: “No, I never learned their names. It’s like when you kill a deer; you don’t name it because then you can’t eat it.”

Alexander Bisley

In addition to the pressure for some of them to work as escorts, porn stars have to be an enthusiastic brand all over social media. Is that a challenge?

Jon Ronson

Yes! In episode two I meet this woman called Maci May who was having a terrible time, and she used to vent about it on social media but now she’s much more wary because you have to be like a brand. She can’t tweet, “I don’t have any money.” She’s discouraged from acting that way by porn producers and directors who say to her: “No, no, you’ve got to constantly be chirpy and happy.”

When she said that to me, I thought, “That’s really sad.” In a parallel universe, there’d be a Twitter where Maci May could do all of that stuff, vent about how unhappy she was. But that’s not the Twitter we created for ourselves, sadly.

Alexander Bisley

“Sex is probably the most interesting subject in the world,” Paul Auster says.

Jon Ronson

I would never disagree with anything Paul Auster says, because he’s amazing. … I never thought of sex as interesting. What I thought was interesting about The Butterfly Effect wasn’t sex, but it was about what constitutes a reputable person and what constitutes a disreputable person. The thing that really got me interested was this idea that tech people are considered reputable; sex workers, porn people are considered disreputable. But this story shows that the porn people and the sex workers are supportive, kindhearted, lovely people, whereas the tech people are amoral, ruthless people.

source;-Vox