Mukkabaaz Movie Review: Vineet Kumar Singh Shines In Anurag Kashyap’s Greatest Film

Image result for Mukkabaaz Movie Review: Vineet Kumar Singh Shines In Anurag Kashyap's Greatest Film

Mukkabaaz review: Vineet Kumar Singh in a still (Image courtesy: AnuragK2.0)

Cast: Vineet Kumar Singh, Rajesh Tailang, Jimmy Shergill, Shreedhar Dubey, Zoya Hussain

Director: Anurag Kashyap

Rating: Five stars

There is nothing I love more in boxing than the feint. The act of throwing half a punch – the very beginning of the blow, to be precise – in order to bluff and misdirect your opponent, making them bob the wrong way before you hook them right, is elegantly artful. Mukkabaaz does this devastatingly well. As a viewer, it is enormously thrilling when a film threatens or promises to go in one direction, prepares you for it, and heads surprisingly, joyously in another. This is not the film you might expect.

The film opens with a lynching. Worse, it opens with a lynching that is being recorded on a cameraphone, as Muslim cow-traders are beaten and exhorted to say ‘Jai Shri Ram.’ This is horrific, but the two boxers watching the clip later are merely bemused. They identify the goons as fellow fighters, and, walking past one of them, tease him as he cursorily denies the accusations. Their tone is not of admonition and accusation but of jovial jeering, as if a rascal was caught doing something playful. This is what it means to them. These are the boxers of Bareilly, and our hero Shravan Kumar is the best of the lot.

Thus does director Anurag Kashyap double-load the film right from the start, giving us a hero to love – soft-eyed and sincere and spry – while making him worship a rapist like Mike Tyson. Kashyap is at his absolute best in Mukkabaaz, all heart and heartland, a movie made with a vintage filmi sensibility but highly modern skills. And a story that bleeds. The love is pulpy and the revenge served up with masala, and that treatment takes this vital narrative farther.

Our boxer rebels, you see. One sunny day he steps up against his dictatorial boxing overlord, a coach who makes his students carry grain and clean mutton, and socks him in the face. This is not because of righteous indignation – though he claims it is – but because a girl in the coach’s house has arrested his attention and he wants, desperately, to make an impression. He is thrashed, soundly, by several, but he has played his card. He wants nothing more than to be her hero.

She, too, wants a hero. Appropriately named Sunaina – the one with lovely eyes – she is a mute girl who speaks volumes with her giant, limpid eyes, and they gleam as she tries to convince her mother that this boxer is a good idea. The mother has several objections, but she brushes them aside as she imitates Ranveer Singh’s dandruffy Tattar-Tattar dance step to say that Shravan looks at her the way Singh looks at… Looks at who, her mother asks? Sign language is forsaken now as she moves her mouth enthusiastically, with an Indian heroine needing no more than a couple of syllables for complete recognition: Dee-pi-ka.

These lovers are, naturally, star-crossed. He is a boxer with little hope of a fighting future especially after his impulsively-conceived act of defiance, and Sunaina is not just a Brahmin but the niece to the man Shravan punched. There are massive complications, but Kashyap tackles them with a superbly light touch, throwing in crowdpleasing lines and lyrics as well as an overall front-bencher approach that genuinely made me whistle. This doesn’t come at the cost of the film’s politics. Pricklier and slyer than the director has been in the past, Mukkabaaz reaches its dark centre with a scene where neighbours come over and offer what they call mutton to a Dalit coach before there is a power outage. The cow-mob erupts all over the boxers who didn’t know better.

The film has four cinematographers – Rajeev Ravi, Shanker Raman, Jay Patel, Jayesh Nair – and I assume a couple of them were responsible exclusively for the in-ring action, which looks fantastically credible as well as mud-coated and earthy. There is a terrific tracking shot in the beginning, which follows Shravan as he enters the feudal coach’s home, and delivers the grain before looking up and the shot breaks only when he looks up to see Sunaina. It’s a fine looking film, bright and vivid yet shadowy when it needs to be, and the music by Nucleya and Rachita Arora gives it vitality, with some lyrics penned by co-screenwriter Vineet Kumar Singh, who also happens to play Shravan.
His is a tremendous performance, not least because of his staggeringly authentic physicality. Singh looks the part, from the way his t-shirt sleeve cuts into his biceps like tightly tied twine to the agility with which he skips in the ring, and his arduous workouts immediately put glossier Hindi film heroes in their place. He makes Shravan real, when he’s throwing punches as well as when he’s vulnerable. Singh has always been impressive, but this is the kind of breakout performance that will make the country take notice. It’s a knockout. This is a long film, and contains interludes that aren’t strictly necessary – like that of a sadistic boss – but Vineet’s compelling performance makes him a character to root for, and even if we are shown the odds too many times, his triumphs feel earned, they feel good. They feel like our triumphs.

He is also a thickheaded hero, one who beats people up and apologises to them, repeatedly, and the way he looks at his heroine is with reined-in desire, expressing his interest with apologetic eyes, as if he doesn’t dare expect reciprocation.

It isn’t hard to see why he would be smitten. The girl’s hands move faster than his own, while furiously expressing herself via sign-language, sure, but also when she slaps him, which she does hard and with impunity, whenever she needs to make a point. Zoya Hussain is great in an excessively demanding part, mute but loud as can be, the feistiest heroine we’ve had in a while.

Ravi Kishan blew me away with his role as a sincere Dalit coach, one who grew up idolising Pele, wasn’t allowed to box, but is an athlete and sits bolt upright, even when being insulted.

[“Source-ndtv”]

Japan Creative shines a spotlight on the “different characters” of the country’s regional crafts

Japan Creative

Japan’s unique regional manufacturers are put under the spotlight by Japan Creative, an organisation that has paired them with international designers including Jasper Morrison, Daniel Rybakken and Industrial Facility to create new work.

Japan Creative

British designer Jasper Morrison has expanded on his earlier Palma project for Japan Creative, adding a second tea kettle

The non-profit organisation exhibited for the second time at this year’s Milan design week, presenting new products based on laquerware from Sabae, paper from Shizuoka, cast iron from Mizusawa and Aji inscription stone from Mount Goken.

In previous years, it has instigated projects like Stefan Diez’ Soba furniture, made using unprocessed bamboo from the groves surrounding manufacturer Taketora in Kochi Prefecture.

Japan Creative
Morrison’s homeware is made at cast-iron foundry Oigen, which has been in operation since 1852

The organisation launched in 2012 and works to bring international attention to Japanese craftsmanship, or “monozukuri”, which locally is already highly valued. Each year it picks three of Japan’s many small specialty manufacturers to focus on, and then selects a designer from overseas to complement each of them.

“Each area has a different character, and it affects the manufacturer’s techniques,” said Maho Masuzaki from Japan Creative, explaining the country’s many diverse specialities.

“We focus on whether the manufacturer has some unique material or technique, not only traditional ones. First we select the manufacturer and then we think about which designer to put together with the company.”

Japan Creative
This year Japan Creative also launched kitchen tools by Leon Ransmeier made using Aji stone by manufacturers Shimamoto Sekizai

Many of these manufacturers have been in continuous operation for centuries. Industrial Facility worked with Sekisaka to produce the Store vessels based on the manufacturer’s 300-year-old laquerware techniques, while British designer Jasper Morrison expanded on his earlier Palma project, adding a second tea kettle created at cast-iron foundry Oigen.

The manufacturer has been producing this kind of ironware – named Nambu after the former ruling family in the Iwate prefecture – since 1852.

Japan Creative
Aji stone is known as the “diamond of granites” for its texture and sheen

Also included in this year’s new launches were a sound-absorbing hood made by Norwegian designer Daniel Rybakken and the Tokushu Tokai Paper company, and kitchen tools by Leon Ransmeier made using Aji stone by manufacturers Shimamoto Sekizai.

The stone is apparently known as the “diamond of granites” for its texture and sheen, and is usually used in gravestones, but Ransmeier used it in a rolling pin, nutcracker, and mortar and pestle to showcase its potential for “everyday use”.

Japan Creative
Industrial Facility worked with Sekisaka to produce the Store vessels based on the manufacturer’s 300-year-old lacquerware techniques

Industrial Facility’s Sam Hecht likened the country to Italy in the way it has managed to preserve its traditional crafts.

“With companies like Sekisaka, it’s very similar to Italy, where they are family companies that are generally handed down through generations,” he said.

“And the thing about family companies is, you can’t just stop. You can’t just close the door and say ‘oh well I’m going to do something else’ – you keep it going by default. So that’s why they have this ability to be able to adapt and to maintain their quality and their interests.”

Japan Creative
Industrial Facility’s Sam Hecht likened the country to Italy in the way it has managed to preserve its traditional crafts

Outside of Japan Creative, the country’s strong craft tradition is a frequent inspiration for designers. Barber and Osgerby worked with regional paper-lantern makers for their Hotaru lighting, while Nendo made a ceramic speaker in partnership with a potter.

Industrial Facility frequently works in Japan, including with the country’s design megastore Muji, which makes its products locally and recently collaborated with a number of artisans to introduce the handmade Tatazumai collection to its stores.

Japan Creative
This year Japan Creative also brought together Daniel Rybakken and the Tokushu Tokai Paper company to create a sound-dampening hood

“In Japan I feel the idea of craft – and it doesn’t have to be only handmade, it can be something that is produced in significant numbers, but still the process is crafted – people are really into that,” said Hecht. “There are tons of magazines that are exposing that in Japan, and it’s constantly part of the conversation.”

Japan Creative exhibited its projects during Milan design week at Palazzo Litta, where other works on show included bikes created by Punkt in collaboration with leading design schools. Its previous collaborations include works with Claesson Koivisto Rune, Nacho Carbonell and Inga Sempé.

[“source-ndtv”]

Google information Now Shines spotlight on neighborhood coverage

Google News Now Shines Spotlight on Local Coverage

Google commenced Monday shining a spotlight on neighborhood reporting jumbled together with the deluge of tales at its free on-line information aggregation internet site.

neighborhood supply” tags had been delivered to Google information to let humans opt for reportingachieved by means of information organizations that may be toward the locations, human beings andoccasions concerned in stories, in line with product manager James Morehead.

nearby newshounds are frequently contributors of the communities they serve, bringing extra context and angle to a tale,” Morehead said in a weblog put up.

A local segment in Google news makes a speciality of content from regional publications and hyper-local blogs that wouldn’t seem in national information services, according to Morehead.

He mentioned a Pew studies take a look at closing yr that concluded almost nine out of 10 US citizensintently comply with neighborhood news.

“This new characteristic brings more exposure for local information outlets reporting on tales that havegone countrywide,” Morehead stated.

Articles with “neighborhood” tags might be seen at news.google,com as well as in Google informationand weather programs tailor-made for mobile gadgets powered with the aid of Android or Applesoftware, in line with the California-primarily based internet massive.

down load the gadgets 360 app for Android and iOS to stay up to date with the ultra-modern techinformation, product reviews, and one-of-a-kind offers at the popular mobiles.

Tags: Android, Apps, Google, Google news, net