Performers/Creatives reviews – Irvine Welsh’s two plays are exercises in tedium

Embarrassingly limp: George Russo and Perry Benson in Performers.

Not so much theatre shows as exercises in tedium, these new pieces from Trainspotting author Irvine Welsh would never have seen the light of day if they didn’t have his name attached. An audience expecting the skanky wit and vim of Trainspotting will be disappointed by this duo of tired and clumsy plays.

Performers, written with Dean Cavanagh, is potentially the more interesting of the two. Apparently, when making the 1970 movie Performance, which starred Mick Jagger and James Fox, directors Nicolas Roeg and Donald Cammell wanted to hire real villains to play the gangsters. Their quest for authenticity sees low-life criminals Alf (Perry Benson) and Bert (George Russo) turning up at the production offices. But with slack direction from Nick Moran, it has all the tension of a used teabag. The comic tour de force that is supposed to ensue when a pretentious young assistant director persuades Alf to take off his clothes is embarrassingly limp.

Set in 1969, it would have looked dated and if it had actually been written that year, and – in their own quest for authenticity – Welsh and Cavanagh appear to have copied out a cockney rhyming slang dictionary lock, stock and barrel.

Creatives: bland, slick shininess.
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 Creatives: bland, slick shininess. Photograph: Roberto Ricciuti/Getty

If Performers aims for comic grittiness and misses by a mile, Creatives is all bland, slick shininess; straight out of the Fame mould. It’s a musical, written with Don de Grazia, about a group of would-be songwriters attending a Chicago course run by former punk Paul, whose career has nosedived and whose personal life is complicated.

The students are all stereotypes, ranging from moody goth girl to (bizarrely) a redneck Trump supporter, and the entire thing starts to resemble an audition for the X Factor but with less convincing back stories, until a violent plot twist pushes it into outright melodrama.

The US cast are game, and Laurence Mark Wythe’s music and lyrics cry out for a better vehicle than this cliched attempt to explore the price of creativity and the pressures to sell out for a quick buck. One imagines that is exactly what Welsh has done with these abysmal efforts.

 Performers is at the Assembly Rooms until 27 August. Box office: 0131-623 3030. Creatives is at the Pleasance Courtyard until 28 August. Box office: 0131-556 6550.

Source:-theguardian